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The Guardian - UK
The Guardian - UK
Entertainment
Arifa Akbar

Marie Curie review – musical dash through the scientist’s life leaves your head spinning

Ailsa Davidson as Marie Curie.
Dilemma … Ailsa Davidson as Marie Curie. Photograph: Pamela Raith

Two women meet on a train, in a flashback to Marie Curie’s early life. Both are Polish, on their way to Paris. Anne (Chrissie Bhima) is a farmhand while Marie (Ailsa Davidson) is a young scientist who will go on to win two Nobel prizes. We follow their friendship. It is an interesting framework, but the production charges through its story and song so fast and furiously that it seems like a medley of a complicated scientific life, performed at a hectic 100 minutes straight through.

Having begun life in Korea, and here directed by Sarah Meadows, the show incorporates Curie’s diary entries with her daughter serving as a narrative prompt. This feels like a flimsy expositional device for a show keen to tell us about Curie’s achievements and setbacks but without slowing down enough to unpack them.

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