Dame Maggie Smith’s trophy cabinet reflected her extraordinary achievements across theatre, film and television – and in the biggest arenas of British and US culture, from the BBC to Hollywood, the West End to Broadway. A measure of her versatility and durability is that, in the 1960s, she played nine major roles in the formative years of the National Theatre, but also, from the start of the 2000s, appeared in five series of Downton Abbey, the ITV Sunday night series that became one of the biggest popular hits of the new millennium.
Her role in that show was Violet Crawley, Dowager Countess of Grantham, who lived in such a bubble of exclusive comfort that, in trademark one-liners, she would drawl in mystification, for example: “What is a ‘weekend’?” That acerbic superiority was a signature throughout Smith’s career, including the part that brought her first Academy award in 1970, against a shortlist also featuring Liza Minnelli and Jane Fonda, for the title role in The Prime of Miss Jean Brodie, adapted from Muriel Spark’s novel about a maverick, arrogant schoolteacher in Edinburgh.
