Recent years have not been particularly kind to Madonna. Her tours have been dogged by controversy of a very different type to the scandal she once happily courted: in 2024 some disgruntled fans attempted to sue her for turning up on stage two hours later than scheduled.
Her albums have garnered a noticeably mixed reception and sold in increasingly diminishing quantities, each one shifting half what its predecessor did: she dismissed 2012’s MDNA and 2015’s Rebel Heart as albums she made “reluctantly”, but there were fewer takers still for 2019’s Madame X, an authentically bizarre patchwork of trap, reggaeton, Portuguese fado and politically inclined lyrics.
