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Evening Standard
Evening Standard
Entertainment
David Jays

MaddAdam at the Royal Ballet review: Margaret Atwood's nightmarish dystopia is richly beautiful

Melissa Hamilton (Toby) in Wayne McGregor's MaddAdam - (Andrej Uspenski)

Margaret Atwood has an eye for dystopia, and her MaddAdam trilogy of novels doesn’t stint on bad news. Humanity has trashed the planet and is all but wiped out in turn. It’s a good basis for nightmares, no question – but for ballet?

Wayne McGregor previously drew magic from Virginia Woolf and Dante, so isn’t daunted. The result is as vauntingly ambitious and helplessly flawed as the humanity it portrays.

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