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The Guardian - UK
The Guardian - UK
Entertainment
Rachel Cooke

Madame Choi and the Monsters by Patrick Spät and Sheree Domingo review – the stuff of blockbusters

Detail from Madame Choi and the Monsters, written by Patrick Spät and illustration by Sheree Domingo.
Detail from Madame Choi and the Monsters, written by Patrick Spät and illustrated by Sheree Domingo. Illustration: Sheree Domingo

This graphic novel, published first in German, is based on a true story, and if you don’t already know that tale (I’m afraid I didn’t), it will astonish you. A successful actor and her movie director ex-husband are kidnapped by an enemy state, so that they might make movies to please a dictator. On paper, this is the stuff of a disaster-ridden major motion picture, dreamed up by some crazed auteur. But it really happened. In 1978, Choi Eun-Hee, a celebrated actor in her native South Korea, was kidnapped by North Korean agents in Hong Kong, and transported to the city of Namp’o, where she was met by Kim Jong-il, the son of the Great Leader, Kim Il-sung, and then head of the country’s propaganda unit and film studios.

When Choi’s ex-husband, the director Shin Sang-ok, travelled to Hong Kong to try to find her, the same thing happened to him – though having twice tried to escape, he was eventually sent to a prison camp to be tortured and kept in solitary confinement (Choi’s surroundings were luxurious, even if she was unable to leave them). In 1983, Kim initiated, with no advance warning, a meeting between Choi and Shin at a dinner in Pyongyang. Reunited, the two of them rekindled their relationship and Kim, the film fanatic, now explained the reason for their kidnapping: they were to shoot big-budget masterpieces for him, movies good enough to be shown at film festivals around the world. In the years that followed, they duly made several films, including Pulgasari, a North Korean version of Godzilla. In 1986, however, while they were at a festival in Vienna, they gave their guards the slip, and made it to the American embassy where they requested asylum.

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