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Kate Hunter, Lecturer in Art and Performance, Deakin University

Live art exists only while it is being performed, and then it disappears. How do we create an archive of the ephemeral?

Leisa Shelton/Abbotsford Convent

Live performance exists only in the moment it is being performed. Its ephemeral nature means it is transient and impermanent, and cannot be experienced again in precisely the same way.

How do artists hold on to the works that they make? What of the invisible labour that is rarely acknowledged or named?

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