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The Guardian - UK
The Guardian - UK
World
Moky Makura

Live Aid led to the patronising ‘save Africa’ industry. We don’t need a musical about it

Crowds gather in front of the Live Aid stage at Wembley Stadium on 13 July 1985.
The Live Aid concert was watched by 1.5 billion people in 150 countries. Photograph: Solomon NJie/Getty Images

Some people love musicals. I am not a fan (there, I said it!). That’s why I rarely pay attention to notices about new ones in the making. That changed last week when I saw the announcement for a musical at the Old Vic about the 1985 Live Aid concert, which raised money for the devastating famine in Ethiopia. It made me sit up and take a deep, slow breath.

That’s because Live Aid was so much more than just a concert for me. It left a lasting and unpleasant legacy that has shaped the story of Africa and how the world sees us. It marked a catalytic moment that sealed Africa’s image as a broken continent and defined it for an entire generation. Thirty-eight years later, were we really going to relive our worst moment – as a musical, no less – and retell the story for a whole new generation?

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