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The Guardian - UK
The Guardian - UK
Entertainment
Sam Leith

Like a poet writing thrillers: why you should read Javier Marías

A style that’s almost indescribable … Javier Marías.
A style that’s almost indescribable … Javier Marías. Photograph: Louis Monier/Gamma-Rapho/Getty Images

Javier Marías won’t get the Nobel prize that many people, including me, think he deserved. No matter. He had plenty of prizes while he was alive. The greater loss is that we won’t get any more of his extraordinary novels. There is no other writer like him, certainly not in English. He was a complete original, at ease with philosophy and pop-cultural trivia, genre and literary fiction. He looked the great writers of the past, from many national traditions, squarely and companionably in the eye.

Marías, perhaps above all, was a profoundly cosmopolitan writer. He taught all over the world and said he did “not much believe in national literatures”. Translation was a central preoccupation of his life and work – he translated Nabokov, Hardy, Faulkner and Conrad, among many others. He was at home in Oxford and Madrid alike, and didn’t mind having a character notice a multilingual pun or tick off Lady Diana Spencer, in a slightly peevish aside, for her “awful, mistake-ridden English”.

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