William Blake’s imagination is thought to have burned with such intensity that, when creating his great artworks, he needed little reference to the physical world. While drawing historical or mythical figures, for instance, he would wait until the “spirit” appeared in his mind’s eye. The visions were apparently so detailed that Blake could sketch as if a real person were sitting before him.
Like human models, these imaginary figures could sometimes act temperamentally. According to Blake biographer John Higgs, the artist could become frustrated when the object of his inner gaze casually changed posture or left the scene entirely. “I can’t go on, it is gone! I must wait till it returns,” Blake would declaim.
