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The Guardian - UK
The Guardian - UK
Entertainment
Lyndsey Winship

Let’s get physical: the science of dance at the Venice Biennale

Waves by Cloud Gate
Visual intrigue … Waves by Cloud Gate. Photograph: Courtesy La Biennale di Venezia / Andrea Avezzù

Venice, a city of already preposterous beauty, comes further stuffed with art during its famous biennale, founded in 1895. The exhibition has grown to encompass multiple art forms, including the lesser known dance biennale, which started in 1999 and actually happens every year. The dance strand has upped its game under the directorship of British choreographer Wayne McGregor – now Sir Wayne, having been knighted in the King’s birthday honours. McGregor took over in 2021 and has just been reappointed for two more years.

He has programmed a wide array of international artists, well known and otherwise, with plenty that is unexpected. This year’s theme is We Humans, a title that might conjure fleshy bodies and emotional connection, but the opening weekend’s performances focused as much on physics, formal systems, busy brains and interactions with technology, in keeping with McGregor’s own preoccupations.

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