Berlioz wrote his setting of the Faust story for concert performance, counting on the fact that what went on in his audience’s mind’s eye would be more fantastical than anything that could be portrayed on stage. The forces he employed aren’t on the same scale as those for his Requiem – written almost a decade earlier, in 1837, and heard here earlier this month – but are still huge. Here they came in the form of the period-instrument orchestra Les Siècles, plus the Choeur de Radio France and, joining in the closing five minutes, the Radio France children’s choir – conducted by Jakob Lehmann, making an energised Proms debut.
Les Siècles’ period instruments brought their own grainy texture to the palette, from the chattering piccolos representing Méphistophélès’s malignant spirits and the silky violin swoops lulling Faust to sleep, down to the inclusion in the orchestra of an ophicleide, an instrument that’s an evolutionary dead end on the tuba’s family tree. The Hungarian March sounded snappy, as did the brass fanfares, echoed at one point by a small band up in the gallery.
