Production company Blumhouse has taken a gamble by featuring director Lee Cronin in top billing in his third film’s marketing campaign. Announcing Cronin as a horror auteur, the film’s full title is Lee Cronin’s The Mummy. This is an odd move for a director with only two (admittedly strong) previous features under his belt. It is perhaps a strategy to differentiate the film from the Brendan Fraser-led adventure series or the abysmal Tom Cruise vehicle from 2017.
Lee Cronin’s The Mummy features little that ties it to the long legacy of previous films with the same title. The template for The Mummy was established by Boris Karloff’s looming Imhotep of 1932 and Christopher Lee’s Kharis of 1959, both Ancient Egyptians who return to life after being exhumed by Western archaeologists. Lee Kronin’s The Mummy is less about the plundering of Ancient Egyptian tombs and more about tapping into the elemental fears of parenthood – as Cronin explored to great effect in his previous two films.
Cronin’s first feature was the independent horror film The Hole in the Ground (2019), which was a confident and capable outing. Like several other first-time filmmakers of independent horror film in the 2010s (Mike Flanagan, Corin Hardy, Rose Glass) Cronin was rapidly courted by Hollywood. He was then handed the reins of the most recent instalment of Sam Raimi’s well-loved Evil Dead series. Cronin wrote and directed the savvy, elementally terrifying Evil Dead Rise (2023), which transported that franchise from its familiar cabin-in-the-woods setting to an urban high rise with brilliant results. His third feature isn’t up to par with these, sadly.
