Entering the small studio tasked with containing this ambitious livewire of a football drama, the action is already in full swing. Charlton Athletic’s Victory and Youssef, in Nigeria to try out for the last two spots on the country’s World Cup squad, are doing drills, while their coach (a buoyant Jerome Ngonadi) collars audience members to take penalties. I miss spectacularly; the production does quite the opposite.
Part of the Ryan Calais Cameron season – the Olivier-nominated playwright chose three early-career Black and Global Majority writers to receive financial backing and mentorship – its writer, Justice Ezi, is a clear talent, asking expansive questions about racism, belonging and the sometimes-shadowy business of sport through the experiences of three men and, in particular, their relationships to their Nigerian heritage.
