The prevailing sensation while watching El Chavo del Ocho is to wonder how this thing ever got made in the first place. It’s a low-budget Mexican sitcom that ran from the 70s to the 90s, centred on an eight-year-old orphan who lives in a barrel in an apartment complex. The boy is played by Roberto Gómez Bolaños, who was in his 40s when the series began and his 60s when it ended. Pretty much all the humour is derived from slapstick: situational farce, physical jokes, people getting their heads trapped in buckets. That kind of thing.
Try to imagine ChuckleVision gone global, to the point where it was a genuine cultural touchstone for hundreds of millions, to the point where Paul and Barry Chuckle have a star on the Hollywood Walk of Fame and are unable to walk through Manhattan without being mobbed. That’s El Chavo. Even today it remains one of the most famous comic creations in the history of television: syndicated across the Americas, enthralling successive generations long after it was decommissioned. Including – at some point in early 2000s Uruguay – a young Darwin Núñez.
