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The Guardian - UK
The Guardian - UK
Entertainment
Flora Willson

Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged

Nazan Fikret as Rukmini and Brett Polegato as Krishna engage in a theatrical scene with red ribbons on stage in opera performance
Agile voices … Nazan Fikret and Brett Polegato in Krishna at Grange Park Opera. Photograph: Marc Brenner

The first thing you should know about John Tavener’s 2005 opera Krishna is that it is actually a “mystical pantomime”. If that very idea provokes even the faintest amusement, this is not the country-house opera for you. The second thing you should know is that by the end of Krishna’s posthumous world premiere at Grange Park Opera, there was warm applause for the musicians.

Rightly so. Without Ross Ramgobin’s intense, poised commitment as the Celestial Narrator, or Eliran Kadussi’s sweet, flexible countertenor as the adolescent Krishna, or the impeccably lucid, admirably agile sopranos of Rosa Sparks (the child Krishna), Nazan Fikret (his wife Rukmini) and Jennifer Statham and Julia Sitkovetsky (Radha as child and woman respectively), this short work would have felt even more interminable.

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