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The Guardian - UK
The Guardian - UK
Entertainment
Arifa Akbar

Klanghaus: Inhaus / Darkroom review – in-your-face raves, with a sudden change of climate

Sofas, scatter cushions and amplifiers … Klanghaus: InHaus.
Sofas, scatter cushions and amplifiers … Klanghaus: InHaus. Photograph: Murdo MacLeod/The Guardian

When the Neutrinos were at the Edinburgh fringe in 2014, their act was listed in the music section of the programme but that acclaimed production proved that a gig can triple up as immersive theatre and art installation too.

The group, consisting of Karen Reilly, Jon Baker, Mark Howe and Jeron Gundersen, are performing two very different shows, with an intimacy of experience seared through both. Klanghaus: InHaus is a variation on the 2014 show, where viewers were led from room to room, except now the audience is taken into one space, with various nooks. It looks like a messy studio has been put in the mixer with a domestic setting: sofas, scatter cushions and reading lamps sit alongside amplifiers, lines of mixing decks and screens with Sal Pittman’s visual projections.

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