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The Guardian - AU
The Guardian - AU
Entertainment
Andrew Stafford

King Stingray: For the Dreams review – an unbridled celebration of life from Yolŋu surf rockers

Six men – a mix of Yolŋu and balanda (white) – stand in a line in a grassy field, with trees and a setting sun behind them
Relentlessly optimistic: King Stingray’s For the Dreams has ‘no bad vibes anywhere’. Photograph: Maclay Heriot

How do you follow up an instant classic? This was the challenge faced by King Stingray, the self-described Yolŋu surf-rock group from Yirrkala in north-east Arnhem Land, whose self-titled 2022 debut sounded more like a greatest hits collection than a first album. It deservedly won the Australian Music prize.

Thankfully, the band hasn’t overthought things. Their answer to the above question is simple: make another one. For the Dreams may as well be titled King Stingray II. The themes are practically identical: the joys of being on country (and getting back to it), slowing down, chilling out. The wind, the sun, the rain, the moon, the tides.

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