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The Guardian - UK
The Guardian - UK
Lifestyle
Jonathan Jones

Kiefer/Van Gogh review – Anselm puts the nightmare into Vincent’s sunflower visions

Anselm Kiefer, Nevermore, 2014.
Winged messengers of death … Anselm Kiefer, Nevermore, 2014, a restaging of Van Gogh’s Wheatfield with Crows. Photograph: Charles Duprat/© Anselm Kiefer

Vincent van Gogh was born in 1853, in the middle of the comparatively peaceful 19th century. If he hadn’t shot himself in a cornfield at the age of 37, and had made it to his 60s, he could have witnessed all that end in the 1914-18 war. If he’d lived to 80, he would have read in his newspaper, at an Arles cafe table, of Adolf Hitler becoming German chancellor, and in 1945, at 92, watched newsreel footage of the emaciated survivors of Belsen.

Odd thoughts, but they are stoked by the Royal Academy’s strange and startling exhibition. This is an intimate encounter between the great living German history painter, to mark his 80th year, and his hero Van Gogh. It juxtaposes his responses to the latter, from teenage drawings to recent gold-spattered wheatfield scenes, with the Dutch artist’s works. The peculiar result is to make you see how the dreamer of sunflowers and starry nights might have painted the horrors of modern history, if he’d lived to see them.

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