I am a long-time admirer of Kevin Costner.
As an actor, he's been a sturdy big-screen presence for four decades, and his small-screen turn as a gruff, tough family patriarch in Yellowstone is a big part of what has made that show so successful over the last five years. Costner's work behind the camera, meanwhile, has never been short of interesting. Whatever its contemporary reputation, Dances With Wolves remains a powerfully made Hollywood epic. Costner's much-maligned adaptation of The Postman is a mess, but it's a fascinating curiosity, an ambitious and personal undertaking from a filmmaker determined to take big swings on the big screen.
