The scent of tabalien wood (Eusideroxylon zwageri) and the laughter of children playing in the yard greeted me as I stepped into a wooden house in Tumbang Panggu, a remote village in Indonesia’s Central Kalimantan province.
The house owner, Pak Awim (Pak is an Indonesian honorific similar to “Mr”, used respectfully for older men), is a local villager. He is one of my informants during my 2019 study on the traditional musical instruments of the Dayak Katingan Awa people.
After offering me a seat, Pak Awim carefully pulled a small wooden box from the corner of the room. It looked simple enough, but the way he opened it — with deliberate care as if he adored it — suggested something fragile and deeply treasured lay inside.
