The new musical film Juliet and Romeo arrives on screen with lavish visuals, saccharine pop songs and a reworked Shakespearean plot that tries to dazzle. With its vivid colour palette and dreamy masquerade aesthetic, this is Verona as filtered through a Eurovision lens: glittering, melodramatic and frequently overwrought.
Writer and director Timothy Scott Bogart and composer Evan Kidd join a lineage of Romeo and Juliet adaptations that blend music with spectacle. Who could forget Harold Perrineau’s drag rendition of Young Hearts Run Free as Mercutio in Baz Luhrmann’s Romeo + Juliet (1996)? More recently, the stage show & Juliet (2019) used the iconic songwriting of Max Martin for a jukebox musical meets feminist retelling of the tragedy. So where does Juliet and Romeo fall in comparison?
Let’s begin with the fair, before turning to the foul. Shot on location in the real Verona, Juliet and Romeo makes excellent use of its scenery, with inventive sets and clever staging that breathe some vitality into its world.
