Kimberly Belflower’s revisionist take on Arthur Miller’s classic The Crucible re-spins the witch-hunts for the #MeToo generation. A classroom of teenagers – mostly girls – want to set up a feminist club, which is sparked, you assume, by the news headlines. Set in 2018, it is an original way to deal with adolescent girlhood in the direct fallout of the Harvey Weinstein scandal, although the play takes a while to gather power.
Beth (Holly Howden Gilchrist) is the class swot; Ivy (Clare Hughes) has a father accused of inappropriate behaviour at work; Nell (Lauryn Ajufo) is the new girl; Raelynn (Miya James) is a pastor’s daughter whose ex-boyfriend cheated on her with Shelby (Sadie Soverall). The last of these is key to proceedings but is absent from school – and this play – for quite a while.
