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The Guardian - UK
The Guardian - UK
Entertainment
Laura Snapes and Ben Beaumont-Thomas

Joanne Robertson’s beautifully murky folksong and the best of the week’s new tracks

Joanne Robertson.
Joanne Robertson. Photograph: Nis Bysted

From Blackpool, England
Recommended if you like Grouper, Sinéad O’Connor, Dean Blunt
Up next
New album Blurr released via AD 93 on 19 September

The best of the UK underground right now resonates with a dank hum, a grimy, disaffected feeling. You don’t need me to tell you why: just listen to Moin, Mark William Lewis, Quade or Still House Plants and let the feeling mingle with the deep sense of dread already entrenched in your bones. One strand of this sound’s DNA can be traced back to Dean Blunt’s warped experimentalism. Anyone attuned to the enigmatic London musician’s output is likely already aware of his long-term collaborator Joanne Robertson, a fixture on 2021’s Black Metal 2 and last year’s Backstage Raver among others. For those outside the Bluntverse, she’s likely to go overground this year as the latest tendril from its world, her new album Blurr adding folky shades to this invitingly squalid sonic scene.

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