Joanna Hogg was extremely nervous about showing her mother her latest film, “The Eternal Daughter.”
The writer-director of “The Souvenir” films had, again, mined her own life for material and inspiration. Here she wanted to make something about a woman about her age, in her 60s, and her mother on a trip together. It would be a ghost story, in a way, with conversations about memory, regret, life and happiness.
