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Milton Mermikides, Associate Professor in Music, MMus Programme Director and Deputy Director of the International Guitar Research Centre, University of Surrey

Jeff Beck: the unorthodox techniques that made him such a unique guitarist

The praise Jeff Beck, who has died aged 78, received from indebted musicians during his lifetime already read like unbridled eulogies. Eric Clapton had called him “the most unique guitarist”, Steve Lukather (Toto) “God’s guitarist”, and Joe Satriani “just a genius”.

Jazz great John McLaughlin described Beck as “the best guitarist alive”, Steve Vai as “unique in the most superlative use of the word”, and Noel Redding (Jimi Hendrix Experience) as his “personal favourite”. Queen’s Brian May said Beck “radically changed” his view of the guitar.

Beck’s fame was not drawn from a catalogue of hit songs (though there was, of course, Hi Ho Silver Lining), nor from a cushy decades-long residency in a mega-band (though there were many supposed offers). Instead, he was a guitarist’s guitarist who seemed to be the humble protagonist at the centre of a plethora of seminal moments in pop history.

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