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Guitar World
Guitar World
Entertainment
Jim Beaugez

“It sounded too clean to me, honestly, but when I heard itwith everything else, it was amazing”: How a little songcraft and a lot less gain brought chart success for emo-punk vets Joyce Manor

Joyce Manor's Barry Johnson with Strat, amp – and tequila.

South Bay L.A.’s Joyce Manor have built a reputation for crafting short, spirited blasts of emo-punk, but there’s something different about their latest LP, I Used to Go to This Bar. And producer Brett Gurewitz has as much to do with it as the band themselves, according to frontman Barry Johnson.

For the first time, they didn’t double-track the rhythm guitars, and they also eighty-sixed the high-gain amps. But instead of trashing the band’s energetic sound, the simplified production leveled up their performances and the guitar interplay between Johnson and co-guitarist Chase Knobbe.

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