Rosalía Vila Tobella is just as bored as you are of pop music functioning as gossip column fodder, with lyrics full of hints of rivalries and betrayal. “I’m tiring of seeing people referencing celebrities, and celebrities referencing other celebrities,” she says. “I’m really much more excited about saints.”
The 33-year-old Catalan musician and producer’s monumental fourth album, Lux, draws on the lives of dozens of female saints, inspired by “feminine mysticism, spirituality” and how lives of murder, materialism and rebellion could light the way to canonisation. Rosalía reels them off. Her gothic, operatic new single Berghain borrows from the 12th-century German abbess Hildegard of Bingen (cited like Madonna these days by experimental female musicians). “She had these visions that would pierce her brain. There’s also Vimala, who wrote poetry but was a prostitute, and she ended up becoming a saint because she was one of the first women who wrote in the Therīgāthā,” an ancient Buddhist poem collection written by nuns.
