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Entertainment
Beth Simpson

“It comes across as a song about peaceful love and hippie stuff, but it was a protest song”: The story of Hold My Hand, the single that launched Hootie & The Blowfish, the most unlikely mega-selling band of the 1990s

Photo of Hootie and the Blowfish.

When we think of the defining artists of the 1990s, our minds tend to alight on the bands of the grunge era: Nirvana, Pearl Jam, Smashing Pumpkins, or perhaps the Britpop groups: Oasis, Blur et al. But there’s one whose name never seems to come up in those TV retrospectives of the decade – Hootie & the Blowfish.

The South Carolina four-piece could never have been cool. Not with that ridiculous name. But it’s hard to remember now just how big they were. Their 1994 debut album Cracked Rear View sold a staggering 22 million copies, making it the seventh-biggest seller of the decade: more than Nevermind, Vs, and both of the albums Michael Jackson released during the 90s. Even today, it’s the nineteenth biggest-selling album of all time in the US. If you exclude compilations, it’s tenth.

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