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Catherine Spooner, Professor of Literature and Culture, Lancaster University

Is Tim Burton an outsider auteur or a global megastar? The Design Museum thinks it has the answer

“Like walking around in a weird, beautiful funhouse.” That’s how Tim Burton described his private viewing of The World of Tim Burton at the exhibition’s opening at London’s Design Museum.

A travelling circus that initially took shape at New York’s Museum of Modern Art in 2009 and has since visited 14 cities in 11 countries, the exhibition now reaches its grand finale in expanded, remixed form in Burton’s adopted hometown. At the press conference, he admitted to feeling somewhat anxious about it. This points to one of the underlying tensions of the exhibition itself – the contrast between laying bare an intensely personal creative process, and Burton’s global megastar status.

The exhibition’s collaboration with the Design Museum has enabled its re-framing as an exploration of Burton’s “design practice” (in curator Maria McClintock’s words). It traces the complex path from Burton’s initial sketches to their realisation on screen.

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