When I arrived at E-WERK Luckenwalde, a former power station half an hour on a train south of Berlin, the place was quiet. Eerily so, for a site soon to open a performance art festival headlined with raucous angst from Pussy Riot. I had been here before, so knew my way around the campus, comprising the power station, the town’s former swimming pool, and the variety of ancillary pavilions and buildings that E-WERK Luckenwalde’s founders – artist Pablo Wendel and curator Helen Turner – had transformed into spaces for experimental culture.
Like me, Wallpaper* had also previously visited. In 2019, when E-WERK Luckenwalde opened with a bang, writer Emma O’Kelly was told by Wendel that the project would be ‘offering art as a power supply’. I confidently strolled straight up the entrance steps of Stadtbad, the swimming pool, and through the double doors to encounter the light-filled Bauhaus hall empty other than for a musician at a piano, filling the space with delicate notes. Immediately, I took out my camera and started recording, a kneejerk reaction to a space and situation I was totally at ease and familiar with. As I completed my panning video, the musician stopped playing to say ‘hello’. I replied, said it was beautiful, then left.
