A new Wallace and Gromit adventure, Vengeance Most Fowl (2024), premieres on BBC One and Netflix this Christmas Day. It’s been nearly 20 years since the last feature film about Yorkshire’s favourite eccentric inventor and his above-intelligent pet dog, The Curse of the Were-Rabbit (2005).
Aardman’s latest Christmas instalment marks the reappearance of Feathers McGraw, the mysterious and silent penguin villain from The Wrong Trousers (1993). It also represents the latest outing for the Bristol-based company’s signature stop-motion “claymation” style – which is both a symbol of the studio’s enduring relationship to craft, and a vital element of Aardman’s international identity as an animation powerhouse.
A new era of artificial intelligence is threatening to transform the boundaries of what we understand as art. So it is significant that one of this year’s most highly anticipated festive films celebrates the skill and spirit of handmade animation.
