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Matt Frost

"If we do this correctly, I think this could be one of the best blues songs ever!": How Joe Bonamassa and Kevin Shirley took an obscure Tim Curry track to a whole new level

Joe Bonamassa in concert during the North Sea Jazz Festival at Ahoy' in Rotterdam, The Netherlands July 14, 2007.

By the time his Sloe Gin album was released in the summer of 2007, Joe Bonamassa was already well on his way to becoming the undisputed master of 21st century blues rock and heir to the '60s blues boom throne. With five solo studio albums already tucked neatly under his belt – including a smattering of No.1s on the Billboard Blues chart – the NYC-born bluesman's talents were being heralded the world over.

Sloe Gin’s 11 tracks are a heady mix of out-and-out blues-rock stompers and folk-tinged acoustic cuts. Sitting at the record’s epicentre is the title track: eight-plus minutes of down-and-out angst, haunting organ and some of the greatest heartfelt soloing you’ll hear this side of ol’ ‘Slowhand’ Clapton himself.

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