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The Guardian - UK
The Guardian - UK
Entertainment
Neil Spencer

Ian Noe: River Fools & Mountain Saints review – a more genial, but still gritty, Appalachia

Ian Noe: 'Wears his principal influence, John Prine, on his sleeve’
Ian Noe: 'Wears his principal influence, John Prine, on his sleeve.’ Photograph: David McClister

With his 2019 debut, Between the Country, 29-year-old Noe caused quite a stir in Americana circles. Its songs delivered an unvarnished portrait of small-town Kentucky life, with a cast of meth-heads, bank robbers and dead-end losers, all delivered in a grainy voice reminiscent of the late John Prine. This follow-on proves a worthy successor. Again the subject is blue-collar Appalachia – Kentucky is one of the poorest states in the US – though this time round Noe’s outlook is more genial, his characters more amiable, be they broken-down Vietnam veterans, crazed truck drivers or heartbroken loners. His musical palette has broadened accordingly, helped by producer Andrija Tokic, whose analogue approach brings warmth to the sound.

There are a couple of swaggering, electric rock-outs like opener Pine Grove, but most songs roll past (at around two minutes) driven by strummed acoustic guitars, with interpolations from fiddle and keyboard. There’s even a closing track, Road May Flood, soaked in tasteful strings. Noe still wears his principal influence, Prine, on his sleeve, but Ballad of a Retired Man could as easily come from Nebraska-era Springsteen, and PoW Blues from John Fogerty. A gritty, compelling talent.

Watch the video for Burning Down the Pairie by Ian Noe.
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