
When Nate Garrett first heard Type O Negative’s (We Were) Electrocute in the 2003 horror movie Freddy Vs. Jason, he was awestruck by the blend of doomy riffs, rich, multi-textured composition and brooding atmospheres. Soon after, Garrett bought the band’s entire catalog and thrilled to every gloomy, glorious moment.
“I had never heard anything like it,” he says. “The songwriting and arranging were so ambitious. But there was always something that hooked you in.”