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The Guardian - UK
The Guardian - UK
Entertainment
Peter Bradshaw

I Swear’s Robert Aramayo had Bafta’s feelgood moment, but the night belonged to Paul Thomas Anderson

Paul Thomas Anderson accepts the best director Bafta for One Battle After Another, which went on to win best film amid six awards.
Paul Thomas Anderson accepts the best director Bafta for One Battle After Another, which went on to win best film amid six awards. Photograph: Stuart Wilson/BAFTA/Getty Images for BAFTA

This turned out to be a very British night for the Baftas, a smidgen more British than usual in fact. It started out with the Hollywood A-listers in the audience being presented with hilarious British snacks, of whose existence they had no more idea than they had of life forms on the moons of Saturn. Emma Stone got some Hula Hoops, Timothée Chalamet had a bag of Scampi Fries and Leonardo DiCaprio got his laughing gear around a Hobnob flapjack.

The other intensely British thing was the red-carpet appearance of the Prince and Princess of Wales (the former being Bafta’s president); their presence enforced that other terribly British tradition of everyone, as if in a Mike Leigh film, avoiding the subject. Everyone trying not to talk or think about the elephant in the room or the elephant slumped and stricken in the speeding car on the way home from the police station. Well, at least William never liked him.

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