Omar’s fans are united in believing that he’s a genius that should have been a superstar. “The undisputed architect of what we now know as neo-soul”, goes one YouTube comment, acknowledging that the British musician’s albums predate the genre’s US benchmarks such as D’Angelo’s Brown Sugar and Erykah Badu’s Baduizm. Another: “Really don’t know why Omar didn’t go on to be big worldwide.” And then: “D’Angelo was the closest they [America] had to someone of Omar’s calibre and even he pales in comparison from a wholly musical standpoint.”
“That’s dangerous talk!”, the musician laughs when I relay the last quote back to him. But 40 years into his career, he’s proud of his musical legacy. “When I started out at 14, I said I wanted to make music that, as soon as you hear the first four bars, you know it’s me,” he says. “I think I’ve achieved that.” His other goal? “To make pure bangers.”
