Trailblazing producer Christine Vachon bestrides the world of US independent film-making like a colossus. She has championed idiosyncratic American cinema for more than 35 years, scoring hits such as the romcom Materialists, which starred three superhero actors (Dakota Johnson, Pedro Pascal, Chris Evans) and grossed $108m, alongside curiosities such as Zola, a strippers’ road-trip comedy based on a string of viral tweets.
Vachon got her start in the early 1990s. Her often scandalous movies – from Poison (gay prison sex) and Swoon (gay child killers) to Happiness (paedophile dad) and Kids (delinquent teens) – dominated the cultural conversation decades before boutique studio A24 had sold its first tote bag. Her production outfit Killer Films, which she founded in 1995 with Pamela Koffler, has as its logo a cartoon bunny with a target for a body, mischievously evoking the company’s blend of irreverence and danger. “I don’t think we’ve ever made a movie that somebody hasn’t been offended by,” Vachon said in 2000.
