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The Guardian - UK
The Guardian - UK
Entertainment
Lyndsey Winship

‘I hope she hears us through the clouds’: the rumbling, thrusting dance piece paying tribute to Sinéad O’Connor

A dancer being held as she rolls backwards on a pew in The Surge: An Ode to Sinéad O'Connor
Nothing compares … Sonya Tayeh (centre) choreographs Amy Miller and Jennifer Nugent in The Surge. Photograph: Joseph DiGiovanna

Sonya Tayeh remembers watching Saturday Night Live in October 1992, at home in Detroit, when a young, shaven-headed woman behind a microphone tore a picture of Pope John Paul II into pieces, while saying: “Fight the real enemy.”

“I felt like the entire world paused,” remembers Tayeh, still in wonder at Sinéad O’Connor’s protest against abuses in the Catholic church, and the defiance in “those eyes that just seep through your soul and burn … It was like I could feel the world vibrate under my feet. I was overcome,” she says, on our video call from New York. I can see Tayeh has one side of her head shaved – a long curtain of dark hair sweeps down the other.

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