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The Guardian - AU
The Guardian - AU
Lifestyle
Oliver Giles

‘I couldn’t believe we weren’t falling over ourselves for it’: Asia-Pacific art finally conquers Britain

A person in dark clothing views two framed colorful paintings featuring abstract figures and creatures.
Makan Pelor (Eating Bullets) (1992) and (R) Ada meriam di muka ku (There is a cannon on my face) (1994), by Heri Dono are on display as part of Rising Voices at V&A South Kensington, London. Photograph: David Parry

An imposing new figure is greeting visitors inside the main entrance of the Victoria and Albert Museum (V&A) in South Kensington. Standing on one side of the domed hall, across from the galleries dedicated to medieval and Renaissance European art, is a lifesize, fibreglass sculpture of a burly bouncer. The Māori nametag hanging from his belt loop suggests he has travelled a long way from home.

This character, Kapa Haka (Whero) by Michael Parekōwhai from Aotearoa New Zealand, is a symbolic guardian for the exhibition Rising Voices: Contemporary Art from Asia, Australia and the Pacific. Produced in partnership with the Queensland Art Gallery | Gallery of Modern Art (QAGOMA) in Brisbane, the show includes more than 70 works which have never before been exhibited in the UK, by artists from 25 countries who have featured through the decades in QAGOMA’s Asia Pacific Triennial of Contemporary Art (APT).

It’s the latest in a recent wave of shows that have brought works from Australian galleries to international institutions. Last year, Tate Modern hosted Emily Kam Kngwarray in collaboration with the National Gallery of Australia, and the National Gallery of Victoria’s exhibition The Stars We Do Not See: Australian Indigenous Art is now touring the US.

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