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The Guardian - US
The Guardian - US
Entertainment
Andrew Lawrence

Hurry Up Tomorrow review – The Weeknd’s meta-thriller plays like a music video

film still of a woman leaning over a man and holding his face as he winces
Jenna Ortega and Abel ‘The Weeknd’ Tesfaye in Hurry Up Tomorrow. Photograph: Lionsgate/PA

Regrets? The Weeknd has a few. In Hurry Up Tomorrow, a celluloid roman-à-clef pegged to his sixth studio album, the Grammy-winning multi-hyphenate puzzles through the consequences of hooking up with a deranged groupie who forces him to reckon with his rock star flings. But it’s viewers who will probably be feeling rueful over nearly two hours lost in the end.

Though technically a thriller, Tomorrow takes inspiration from a real-life moment of weakness: the Weeknd – born Abel Tesfaye – losing his voice while filming The Idol TV series in between a global stadium tour. As with most of his artistic efforts, the Weeknd makes the job of distinguishing his sincere reflections from his satirical self-observations impossibly hard on audiences and smirks when they don’t get the joke. Recall his dizzying Super Bowl half-time show and face-bandage stunt he pulled to promote the After Hours album.

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