Our ability to solo over any chord progression is greatly enhanced by understanding the content of those chords, even if we choose to stay purely within the pentatonic/blues scale shapes. With this example solo, I’m essentially turning this approach on its head, building chord/solo ideas over a fairly harmonically simple bass and drum backing. In other words, there are just two chords!
You’re free to fill the space between the bass guitar and drums in a variety of ways. My approach was to steal some ideas from Kirk Fletcher and string together different chord inversions or triads around the fretboard.
