Early in a career that reaches 92 plays with The Trial of Romeo Oscar at his Scarborough home base next month, Alan Ayckbourn often spins titles from expressions: Absurd Person Singular, Relatively Speaking, Joking Apart and How the Other Half Loves, his ninth play.
In How the Other Half Loves (1969), the pun is doubled. Two couples – the Phillipses and Featherstones – envy how the well-to-do Fosters, boss Frank and wife Fiona, live. But structurally, the Phillipses and Fosters occupy half the set each, actors blanking out characters in the other house even while making phone calls to each other side by side. In the second scene, when the Featherstones – unwittingly used as adultery alibis by Mr Phillips and Mrs Foster – simultaneously attend dinner parties on consecutive nights with the other couples, the two actors in both scenes swivel their heads at tables laid across each other.
