This is not where you would expect an article about one of the Mediterranean’s most beautiful islands to start. It’s the tail end of winter, 2021. Kensal Green Cemetery in west London: the imperial mausolea canted and crumbling, low clouds dissolving into rain. We are still in that strange phase of the pandemic when we are masked, newly aware of our bodies and the space around them. We are here to bury Nikos, a man who for me, for many, was the incarnation of Corfu.
I had spent my 20s trying to find the perfect Greek island, hopping from the well-trodden (Mykonos, Santorini, Cephalonia) to the more obscure (Kythira, Symi, Meganisi). None quite matched the vision I had dreamed into being as a child, when I segued from Robert Graves to Mary Renault, then to Lawrence Durrell and John Fowles. Greece was an idea before it was a place: freedom and deep thought, a constellation of sand, salt and thyme.
