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The Guardian - UK
The Guardian - UK
Lifestyle
Katy Hessel

How Judith Scott escaped a life in institutional isolation to become a great sculptor

Judith Scott: Untitled, 2004.
Fibre fanatic … Judith Scott: Untitled, 2004. Photograph: Brooklyn Museum/Creative Growth Art Center.

Bundles of fibre wrapped around shapes as if mummifying something sacred. Bicycle wheels tied tightly to a chair with scraps of kaleidoscopically coloured cloth. Supermarket trolleys filled to the brim with ropes, tubes, tassels. Forms evoking wings, animals or body-parts that seem to be conversing with each other. This is the work of Judith Scott.

Scott was fanatical about fibre. She would work on her sculptures for months at a time, going for hours without stopping. She would smack her hands together when she knew a piece was done – and immediately get to work on the next. She wore bright pink felt hats and jumpers, and wrapped her head in vibrantly patterned cloth.

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