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The Conversation
The Conversation
Sally Jane Brown, Curator, West Virginia University

How Dorothea Tanning’s ‘Birthday’ painting challenged male-dominated surrealism

Do the seemingly endless doorways represent a woman trapped in domesticity or infinite ways out? Philadelphia Museum of Art

When American artist Dorothea Tanning painted “Birthday” in 1942, she announced her arrival – an artistic birth, as she later described it – into the surrealist movement.

Surrealism is an avant-garde art and literary movement that began in Paris in the 1920s and sought to unleash the unconscious mind. Women artists within the movement often drew on its dreamlike language to counter male surrealists’ idealized and objectifying portrayals of women, reclaiming their own agency and identity.

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