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Ombline Damy, Doctorante en Littérature Générale et Comparée, Sciences Po

How a postwar German literary classic helped eclipse painter Emil Nolde’s relationship to Nazism

Emil Nolde, Red Clouds, watercolour on handmade paper, 34.5 x 44.7 cm. Emil Nolde/Museo Nacional Thyssen-Bornemisza, Madrid, CC BY-NC-ND

Paintings by German artist Emil Nolde (1867-1956) were recently on display at the Musée Picasso in Paris as part of an exhibition on what the Nazis classified as “degenerate art”. At first glance, his works fit perfectly, but recent research shows that Nolde’s relationship to Nazism is much more nuanced than the exhibition revealed.

The German Lesson: a postwar literary classic

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