As a queer woman of East Asian descent who researches transnational queer media and culture, Saving Face (2004), the debut feature by Alice Wu, holds a special place in both my heart and my research.
Set in the tightly knit Chinese-American community of Flushing, New York, Saving Face follows Wil (Michelle Krusiec), a young, promising yet closeted surgeon whose carefully balanced life is thrown into chaos when her widowed mother, Hwei-Lan (Joan Chen), shows up on her doorstep. Hwei-Lan is pregnant and has been banished by her community, and is refusing to name the father.
What unfolds is a story that blends romantic comedy with drama. As well as Wil’s budding relationship with a dancer named Vivian (Lynn Chen), the film explores the tensions between mothers and daughters, identity and duty, and the quiet pressure of silence and the fear of coming out.
