
This posthumously realised work by the peerless American composer, lyricist and innovator Stephen Sondheim is a musical with no songs and, in the second half, hardly any music.
Cannibalised from two films by Spanish surrealist Luis Bunuel, The Discreet Charm of the Bourgeoisie (1972) and Exterminating Angel (1962), the show starts out playfully satirical and ends in grindingly repetitive, adolescent expressions of existential fear and societal collapse.