A close working relationship with Brian Eno, along with appearances on records by Suede’s Brett Anderson, Pulp’s Jarvis Cocker, Regina Spektor and others, keeps Leo Abrahams’ mind open. “My influences are really varied,” he tells Guitar World. “But the one constant has been searching for unusual sounds.”
He continues: “One very important thing on a session is the ability to get the right sound pretty much immediately, and for that sound to be convincing. You have to know your gear really well.”
