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The Guardian - UK
The Guardian - UK
Entertainment
Jonathan Jones

Hawaii: A Kingdom Crossing Oceans review – a feather-filled thriller full of gods, gourds and ghosts

A Mahiole hulu manu (feathered helmet), worn in battle and in ceremonial contexts.
A Mahiole hulu manu (feathered helmet), worn in battle and in ceremonial contexts. Photograph: © The Trustees of the British Museum

Relations between Britain and the Pacific kingdom of Hawaii didn’t get off to a great start. On 14 February 1779 the global explorer James Cook was clubbed and stabbed to death at Hawaii’s Kealakekua Bay in a dispute over a boat: it was a tragedy of cultural misunderstanding that still has anthropologists arguing over its meaning. Cook had previously visited Hawaii and apparently been identified as the god Lono, but didn’t know this. Marshall Sahlins argued that Cook was killed because by coming twice he transgressed the Lono myth, while another anthropologist, Gananath Obeyesekere, attacked him for imposing colonialist assumptions of “native” irrationality on the Hawaiians.

It’s a fascinating, contentious debate. But the aftermath of Cook’s death is less well known – and the British Museum’s telling of it, in collaboration with indigenous Hawaii curators, community leaders and artists, reveals a surprisingly complex if doomed encounter between different cultures.

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